No solo Hitler
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Presents biographical information along with critical analysis of the themes, symbols, and ideas that appear in the author's works.
These volumes are designed to introduce the reader to the life and work of the world's literary masters. Each volume begins with Harold Bloom's essay "The Work in the Writer" and a volume-specific introduction also written by Professor Bloom. Following these unique introductions is an engaging biography that discusses the major life events and important literary accomplishments of the author under consideration.
Furthermore, each volume includes an original critique that not only traces the themes, symbols, and ideas apparent in the author's works, but strives to put those works into a cultural and historical perspective. In addition to the original critique is a brief selection of significant critical essays previously published on the author and his or her works followed by a concise and informative chronology of the writer's life. Finally, each volume concludes with a bibliography of the writer's works, a list of additional readings, and an index of important themes and ideas.
Important writings by the leading theorist of anarchism, including the brief but moving "Spirit of Revolt," "Law and Authority," an argument for social control through custom and education, and other documents. An invaluable addition to the libraries of instructors, students, and anyone interested in history, government, and anarchist thought.
How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate?
Composers of the Nazi Era is the final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), which won the Wallace K. Ferguson Prize of the Canadian Historical Association. Here, historian Michael H. Kater provides a detailed study of the often interrelated careers of eight prominent German composers who lived and worked amid the dictatorship of the Third Reich, or were driven into exile by it: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime--and if so, whether this may be discerned from their music. After chapters discussing the circumstances of each composer individually, Kater concludes with an analysis of the composers' different responses to the Nazi regime and an overview of the sociopolitical background against which they functioned. The final chapter also extends the discussion beyond the end of World War II to examine how the composers reacted to the new and fragile democracy in Germany.